This book is the catalogue accompanying the exhibition dedicated to Luc Peire (1916–1994) at CC Scharpoord in Knokke-Heist, a fashionable seaside resort and, in the 1950s, a centre of modernist experimentation in art and architecture. The artist frequently stayed there during the summer, but was primarily active in Paris. Both the book and the exhibition reveal how Peire, navigating between local roots and international ambitions, developed a universal visual language that brings together humanism, intensity and experience. In addition to paintings, his oeuvre includes large-scale art integrations, notably in the Brussels metro and in Marne-la-Vallée. He also represented Belgium at the Venice Biennale in 1968. As co-organiser of the groundbreaking exhibition Vormen van heden (Casino Knokke, 1957), Luc Peire introduced the Belgian public to a revolutionary combination of modern design with abstract painting and sculpture by international artists such as Victor Vasarely and Pierre Soulages. The contrast with his own recent past could hardly have been greater: only a few years earlier, he had still been painting frescoes in classical interiors and had opposed the abstract tendencies within the Jeune Peinture Belge. Peire’s oeuvre reflects an ongoing dialogue between formal order, colour experience and sensory atmosphere—the only building blocks from which, according to the artist himself, a work of art is constructed. Luc Peire. Abstraction in Abundance invites readers to understand the artist’s trajectory as a quest for a universal visual language that continues to resonate to this day.