Activating the Transformative Potentials of Commons in the Arts
Description
'Commoning Art' brings contemporary commons and art discourses into dialogue through feminist, queer, ecosocial, and critical studies perspectives. It outlines three positions in current practice: Art for Commons, centering the commons as a political and aesthetic concern; Art as Commons, challenging ownership and copyright; and 'Commoning Art', approaching art as an ongoing process of collective self-organization. Drawing on a variety of situated examples from artistic and curatorial practice, the transdisciplinary team of authors develops a methodology that advances an ontological reorientation of art, shifting away from the myth of individual autonomy toward forms of practice grounded in relationality and interdependence.
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