A few lines will suffice to explain why we have compiled the present volume, to what wants it responds, and what its sphere of usefulness may possibly embrace.
In our teaching of plastic anatomy, especially at the École des Beaux-Arts—where, for the past nine years, we have had the very great honour of supplementing the teaching of our distinguished master, Mathias Duval, after having been prosector for his course of lectures since 1881—it is our practice to give, as a complement to the study of human anatomy, a certain number of lessons on the anatomy of those animals which artists might be called on to represent.
Now, we were given to understand that the subject treated in our lectures interested our hearers, so much so that we were not surprised to learn that a certain number repeatedly expressed a desire to see these lectures united in book form.
Édouard Cuyer
GENERALITIES OF COMPARATIVE ANATOMY
Of the animals by which we are surrounded, there are some which, occupying a place in our lives by reason of their natural endowments, are frequently represented in the works of artists—either as accompanying man in his work or in his amusements
