This book examines documenta fifteen (2022) as a turning point in global art politics, from ruangrupa’s Indonesian lumbung model to Palestinian cultural infrastructures. It traces how debates over collectivity, decolonization, and memory politics reveal the contradictions of globalization, financialization, and contemporary art’s search for rootedness.
I have a question about the book:
'De-Globalizing the Art World - Anagnost, Adrian'.
Fill in the form below.
We will respond as fast as possible.
We value your privacy
We use cookies to measure traffic, improve Boekstra and let Google tailor ads to your interests. You can keep using the site either way — even if you decline. More info
