This book, a sensuous evocation of images of the reclining nude, claims a female-identified pleasure in looking. Agnès Varda, Catherine Breillat, and Nan Goldin are re-imagining images of female beauty, display, (auto)eroticism, and intimacy. The reclining nude is compelling, for female-identified artists in the ethically adventurous, politically complex feminist issues it engages.
I have a question about the book:
‘The Reclining Nude - Wilson, Emma (University of Cambridge)’.
Fill in the form below.
We will respond as fast as possible.
