The first book to examine the films of Jim Jarmusch from a sound-oriented perspective. The three essential acoustic elements that structure a film - music, words and noise - propel this book's fascinating journey through his work, including Stranger Than Paradise (1984), Down By Law (1986), Dead Man (1995), and Only Lovers Left Alive (2013).
I have a question about the book:
‘Jim Jarmusch - Piazza, Sara’.
Fill in the form below.
We will respond as fast as possible.
We value your privacy
We use cookies to measure traffic, improve Boekstra and let Google tailor ads to your interests. You can keep using the site either way — even if you decline. More info