With a contextual approach that encompasses the full range of media, from textiles to stucco, this study traces the concept of a unified interior. It argues that art history - even the emergence of the modern category of fine art - was worked out as much in the rooms of palaces as in the printed pages of Vasari and other early writers on art.
I have a question about the book:
‘Display of Art in Roman Palace, 1550-1750 - Feigenbaum, Gail’.
Fill in the form below.
We will respond as fast as possible.
