Demonstrates the creative affinities between ancient verbal and modern visual modes of narrative through the example of Ovid's influence on cinema history in both theory (Sergei Eisenstein, Gabriele D'Annunzio) and practice. Ranges from classic Hollywood and European films to modernism, animation, and contemporary digital media and special effects.
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‘Ovid on Screen - Winkler, Martin M. (George Mason University’.
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