This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks. It helps forge an ensemble and build 'worlds' on stage and plays a crucial part in shaping how actors work with and in space.
I have a question about the book:
'Movement, Text, Performance - Allain, Paul (University of Kent )'.
Fill in the form below.
We will respond as fast as possible.
We value your privacy
We use cookies to measure traffic, improve Boekstra and let Google tailor ads to your interests. You can keep using the site either way — even if you decline. More info