In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography.
I have a question about the book:
‘Photography After Photography - Solomon-Godeau, Abigail’.
Fill in the form below.
We will respond as fast as possible.
