Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. This work coaxes out an understanding of the men and women themselves, the context of their work, and how jazz from horn blare to drum riffs created conceptually.
I have a question about the book:
'The Jazz Ear - Ratliff, Ben'.
Fill in the form below.
We will respond as fast as possible.
We value your privacy
We use cookies to measure traffic, improve Boekstra and let Google tailor ads to your interests. You can keep using the site either way — even if you decline. More info
