No one in the Anglophone world has illuminated the range and nuance of André Bazin's theoretical insights like Dudley Andrew. In this elegantly curated volume of Bazin's writings on nonfiction film, many of them previously unknown and untranslated, Andrew shows Bazin to be the unacknowledged godfather of contemporary documentary studies.--Michael Renov, Haskell Wexler Endowed Chair in Documentary and Professor of Cinema and Media Studies, School of Cinematic Arts, University of Southern California
