Machine Modernism, Masculinity, and the Trauma of War
The Art of Fernand Leger
Description
Investigates the artwork of Fernand Léger, one of machine modernism’s leading figures, as a case study of the aesthetic’s origins in World War I, its unstable production of masculinity, and its collapse in the context of surrealism, economic crises, and the revival of war memories.
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‘Machine Modernism, Masculinity, and the Trauma of War - Shanahan, Maureen G. (James Madison University)’.
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