Childhood and the Operatic Imaginary since 1900 tilts Opera Studies off its adult-centric axis by focusing on children as characters, creators, performers, and audiences.
I have a question about the book:
'Childhood and the Operatic Imaginary since 1900 - '.
Fill in the form below.
We will respond as fast as possible.
We value your privacy
We use cookies to measure traffic, improve Boekstra and let Google tailor ads to your interests. You can keep using the site either way — even if you decline. More info
