This book is concerned with why (or whether) paintings have value: why they might be worth creating and attending to. The author traces an understanding of painting as ontologically revelatory from the theology of the Byzantine Icon to classical Chinese appreciations of landscape painting, and Phenomenologists inspired by European Modernist art.
I have a question about the book:
‘Painting and Presence - Rudd, Anthony (Associate Professor of Philosophy’.
Fill in the form below.
We will respond as fast as possible.
