A photo-text book presenting a counter-narrative of the British city of Oxford that resists the visual imperatives of its ancient university. A Certain Logic of Expectations proposes a counter-narrative of the British city of Oxford that resists the visual imperatives of its ancient university. For the past five years, Mexican photographer Arturo Soto explored the longstanding division between town and gown through a careful selection of spaces and objects. His visual narrative is loosely structured around the following thematic strands: notions of home and homelessness, the looming presence of Brexit, the conflicted local economy, and the diversity of the city’s neighbourhoods. In short texts Soto describes his experience of the city and his fascination with its history and myths. The work challenges an easy judgment on Oxford and its established narratives of tradition, influence, and power. In his photography as well as his written observations, Soto proves that his pen is as sharp as his eye. A Certain Logic of Expectations proposes a counter-narrative of the British city of Oxford that resists the visual imperatives of its ancient university. For the past five years, Mexican photographer Arturo Soto explored the longstanding division between town and gown through a careful selection of spaces and objects. His visual narrative is loosely structured around the following thematic strands: notions of home and homelessness, the looming presence of Brexit, the conflicted local economy, and the diversity of the city’s neighbourhoods. In short texts Soto describes his experience of the city and his fascination with its history and myths. The work challenges an easy judgment on Oxford and its established narratives of tradition, influence, and power. In his photography as well as his written observations, Soto proves that his pen is as sharp as his eye.