Highlights the merit of Syrian playwrights Durayd Lahham and Muhammad al-Maghout, whose plays are representative of the wave of Arab theatrical realisation in general and Syrian protest plays in particular. It also symbolizes a poetical link between 'bitter cup' of a miserable present and 'holy rain' of a better future.
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‘Poetics, Politics and Protest in Arab Theatre - Hamdan, Masud’.
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