Provides a window into a moment when both phantasmatic and real relationships between straightness and queerness, between blackness and whiteness, and between utopia and dystopia, were in flux; Bowie in the mid-1970s both exemplified and had a hand in creating the complex and contradictory opening of possibilities now seen as the hallmark of that decade--
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‘David Bowie's Diamond Dogs - Hendler, Glenn (Fordham University’.
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