Criticism, Performance, and the Passions in the Eighteenth Century
The Art of Transition
Description
Eighteenth-century theatre critics reserved their highest praise for the transitions of a play, recognising its most striking passages as moments of larger sequential transformation. Through a recovery of this perspective, scholars of theatre and literary culture gain renewed understanding of performance, the passions, and criticism in the 1700s.
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‘Criticism, Performance, and the Passions in the Eighteenth Century - Harriman-Smith, James (University of Newcastle upon Tyne)’.
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