Character and the Liberation of Form in Late Greek Tragedy
Description
Reveals Euripides' ground-breaking use of monody, or solo actor's song, in his late tragedies. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, Claire Catenaccio examines the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes.
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