Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage
Description
In the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject. This book focuses on the various ways that theatrical music represented disorderly subjects - those who presented either a direct or metaphorical threat to the health of the English kingdom in 17th-century England.
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‘O Let Us Howle Some Heavy Note - Winkler, Amanda Eubanks’.
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